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In many sitcoms, the voice of reactions of audiences is overlaid on top the actors’ reactions. Quite usually this sound effect itself is almost like a joke.
Even when the show is not very funny, or even when you don’t understand what they say at all, we automatically laugh because of the sound effect.
By detaching the voice from the context, this book explores how the sound itself changes our feeling with a typographical form.
Softcover, 28pp
176 × 250mm
Risograph, hand-stitched
wp 03, edition 100
In many sitcoms, the voice of reactions of audiences is overlaid on top the actors’ reactions. Quite usually this sound effect itself is almost like a joke.
Even when the show is not very funny, or even when you don’t understand what they say at all, we automatically laugh because of the sound effect.
By detaching the voice from the context, this book explores how the sound itself changes our feeling with a typographical form.
Softcover, 28pp
176 × 250mm
Risograph, hand-stitched
wp 03, edition 100
In many sitcoms, the voice of reactions of audiences is overlaid on top the actors’ reactions. Quite usually this sound effect itself is almost like a joke.
Even when the show is not very funny, or even when you don’t understand what they say at all, we automatically laugh because of the sound effect.
By detaching the voice from the context, this book explores how the sound itself changes our feeling with a typographical form.
Softcover, 28pp
176 × 250mm
Risograph, hand-stitched
wp 03, edition 100